Info et actualité en direct - Toutes les actualités et infos. LE FRÈRE DU "TUEUR AU SCOOTER" JUGÉ • Cinq ans et demi après les tueries de Toulouse et Montauban, qui ont fait sept morts – trois militaires, un professeur et trois élèves d'une école juive - , le frère de Mohamed Merah, dont le Raid avait mis fin à la folie meurtrière le 2.

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• A tragic tale of Christian martyrdom, Les Martyrs began its life as Poliuto, Donizetti's Italian opera which - due to its religious content - was.

Paris. Un procès exceptionnel qui durera un mois. LES COMPLICITÉS EN QUESTION • Abdelkader Merah, 3. Un jeune délinquant toulousain, Fettah Malki, qui a reconnu avoir fourni des armes à Mohamed Merah, est jugé à ses côtés.

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Durant les débats, 4. VERS UN 2e PROCÈS • Abdelkader Merah est condamné à 2. Fettah Malki écope de 1. Plusieurs parties civiles ont manifesté leur déception, tandis que le parquet a annoncé faire appel, estimant que la cour "n’avait pas tiré toutes les conséquences juridiques des faits qui lui étaient soumis".

Les Martyrs. A tragic tale of Christian martyrdom, Les Martyrs began its life as Poliuto, Donizetti's Italian opera which - due to its religious content - was banned before its Naples premiere. Greatly angered by the Italian censors' decision, Donizetti moved to Paris in the hope of conquering the Opéra de Paris and securing his status as a composer of international repute. His dream largely came true when, in 1. Poliuto for the Paris opera. Working together with Eugène Scribe - the grand opera librettist of the time - Donizetti went to great pains to adapt his Italian opera for Parisian audiences. Not only did he add an obligatory ballet score, but he also composed an elaborate new overture, new solos for the lead tenor and several innovative ensemble scenes.

Yet, despite the opera's successful premiere, Les Martyrs soon disappeared from the Paris opera's repertory and since has only received sporadic performances, often in an Italian version. Opera Rara's revival is based on a new critical edition by Dr Flora Willson of King's College, Cambridge, which restores the opera's original French text and reinstates numerous musical passages that have note been heard since its first performance. Hilary Finch in her five star Times review said: 'The martyred pair — the Christian Polyeucte and his Roman wife and eventual convert Pauline — were cast from strength. Joyce El- Khoury’s soprano flamed fearlessly, but could also taper off into an exquisitely vulnerable half- voice. And the platinum tenor of Michael Spyres focused fanatical love and loyalty: his stratospheric cry within the aria Dieu m’inspire!

Two outstanding basses, Brindley Sherratt as Félix and Clive Bayley as Callisthènes, revealed shifting shades of obduracy, while David Kempster’s Sévère painted a stalwart and conflicted portrait.'View the Act II finale from our concert performance of Les Martyrs at the Royal Festival Hall on 4th November 2. Click here to view. This recording is also available with a reduced size booklet (without the printed libretto) which you can purchase here. Joyce El- Khoury (Pauline), Michael Spyres (Polyecute), David Kempster (Sévère), Brindey Sherratt (Félix), Clive Bayley (Callisthènes), Wynne Evans (Néarque), Opera Rara Chorus, Orchestra of the Age of Enlightenment, Sir Mark Elder - conductor Act 1. The action takes place in Mélitène, capital of Armenia, under Roman rule during the third century. Persecuted Christians have gathered in the catacombs; among them are Polyeucte, a new convert about to be baptised, and his friend Néarque. As the Christians withdraw to perform their religious rites, Néarque holds Polyeucte back to ask whether he is truly dedicated to the faith.

He is, after all, son- in- law of the tyrannical governor Félix, notoriously intolerant of Christianity, and husband of Pauline, who remains a pagan and knows nothing of his conversion. Polyeucte reassures Néarque that “God alone will rule my heart” and looks forward to the day when Pauline will share his new beliefs. Before they can rejoin the Christians, news arrives that Roman troops are nearby. Polyeucte muses that his baptism may yet prove to be a martyrdom, but is determined to proceed. Young Roman girls and slaves appear, bearing accoutrements for a pagan ritual and followed by soldiers.

Pauline is in their midst; she dismisses the military escort before paying her respects at the tomb of her mother with a display of sacred offerings. Left alone, Pauline reveals her most intimate thoughts: she is torn between marriage to Polyeucte, chosen for her by her father, and continuing love for Sévère, a courageous Roman general who is believed dead in battle. She overhears the chanting of the Christians nearby as, unbeknown to her, Polyeucte is being baptised. She is about to flee when Christians appear, followed by Polyeucte himself. He is furious that she has stumbled upon them; she is appalled as he defends the Christians. Pauline’s threat to denounce them to her father precipitates Polyeucte’s confession that he is now one of their number.

As the Christians pray that Pauline, too, might convert and she hopes that her husband might yet be saved, the act ends with news that a further menace to the Christians – a pitiless proconsul – has just arrived in Mélitène. From his study, Félix orders his secretaries to transcribe edicts sentencing Christians to death; his own allegiance to the Roman gods is firm. When Pauline enters, Félix announces that he is issuing a new edict. Pauline, trembling, reads it aloud: all those who have administered or received the rite of baptism will be condemned. As Félix and his staff celebrate the edict’s publication, Pauline privately expresses her anguish. Her father notices her sorrow and asks whether it is caused by unhappiness in love. Pauline replies that she had indeed been happy with Sévère, but that after his presumed death she had accepted the husband chosen for her; she insists that she loves her husband.

Their conversation is interrupted by the sound of military music outside; the high priest Callisthènes appears, accompanied by priests, magistrates and citizens, announcing the arrival of the proconsul favoured by the Emperor ever since his narrow escape from death on the battlefield. The revelation that this proconsul is none other than Sévère shocks Félix and Pauline alike; the latter struggles to hide her joy before rushing off. A vast crowd has gathered in the square to watch the proconsul’s arrival. Sévère makes a spectacular entrance in a procession led by Roman legions and standard bearers, surrounded by dancing girls and followed by slaves, pipers and gladiators. Watch Exit Strategy Online Forbes there. He vows to protect the people from the Christian scourge and looks forward to seeing again his beloved.

Sévère is treated to a gladiatorial display, followed by Greek and Roman dances. Sévère reveals that the Emperor has offered Armenia as the dowry for whomever he chooses as his wife – and that his heart is set on Pauline. His beloved now appears, but accompanied by Polyeucte, who is announced as her husband. Distraught and angry, Sévère reflects on his lost love. The scene is brought to a climax by the entrance of Callisthènes, who announces that a further baptism has just taken place; the curtain falls as Polyeucte is urged by Pauline to remain silent while the followers of the opposing faiths call on the assistance of divine powers. Pauline, alone in her bedroom, prays for assistance. Sévère enters unannounced.

In the ensuing duet Pauline implores Sévère to allow her to forget their shared past and leave forever. Lamenting his position, Sévère eventually bids her farewell – leaving just before Polyeucte enters with the news that a great sacrifice is being prepared in honour of Sévère.

Pauline asks Polyeucte to accompany her to the ceremony; he refuses, but insists that his love for her is equal only to that he has for his new God. Seeing his wife’s distress, he exclaims that although he can face death, he cannot bear her tears. Félix appears: as Néarque has refused to name his new Christian convert, he will be an additional sacrifice at the temple. Polyeucte now insists that he will attend the ceremony after all and, following Pauline’s and Félix’s departure, vows to share his friend’s fate. Callisthènes and the priests leave the temple with braziers, sacred vases and idols, which they place on its steps; priests and citizens sing a hymn to Jupiter, before Félix, Sévère and Pauline enter for the sacrifice.

Néarque is led in and denounced as a Christian before being interrogated again about his new convert; Pauline quakes with terror. Since Néarque refuses to cooperate, Callisthènes proposes to execute him.

Just in time, Polyeucte appears and, to the shock of all present, reveals himself to be the mystery neophyte. The scene ends with reactions to this revelation: Félix and Callisthènes are furious, Pauline is desperate; Polyeucte offers renewed affirmations of his faith.